Are too terrene t'encounter or contest
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With this invincible Antagonist.
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Quartans no more shall Galenists defame,
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Nor th' Altahest the Paracelsian blame.
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Here's a Disease so subtle (though impure)
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Baffles them both to find the Cause or Cure.
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Let's force Art to her Zenith then, and try
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The Virtuosoes Etimology.
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How they define, or gravely descant on
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This grand invisible Contagion.
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Malignant vagrant Atomes are the quaint
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(say they) Compounders of this mortal taint,
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Their qualities and motion[']s yet obscure,
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Till the Dioptricks can discern th'impure,
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Though subtle exhalations that proceeds
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From the first matter, which infection breeds,
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A Quere may be urg'd, whether they be
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Not vivid Atoms, since we daily see
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All sulphurous Fumes these wanderers expels,
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With other Insects to remoter Cells.
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Whatere they be, extrinsique first they are,
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And Vagrant too, why suffered then so farre
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T' entrench on humane nature? cannot Art
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Contrive a Statue Law, and whip this tart
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Unruly Vagabond from mortal bounds,
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Or (as the Country-man the Stragler pounds)
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Confine him? No, This Hoegan Mogan Lord,
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(Though wafted higher on a Shipwrackt bord)
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Takes so much state upon him, (like his Sire,
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The Sink of Christendome, Europes Quagmire)
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That Civil Laws this Gaderen defies,
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With Arts and Sciences as Enemies.
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Is Art then stinted? a non ultra here
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To her proceedings? Th' Question is not cleer;
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The Fountains muddy whence this taint first came,
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Why then should th' English Artist foul his name,
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In pudling into th' Cause, thus much Ile say,
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If sympathetick Atomes bear the sway,
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Our Calvenist with's motled Brotherhood,
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Draws Dutch Opinions, and his Countryes blood.
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